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ARTICLE
‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel
By
Patricia Duncker
REVIEW
Betrayed by Rita Hayworth
By
James Norton
ARTICLE
The Dance Macabre of Tony Manero
By
Lee Hill
ARTICLE
Against the Poverty of the World: Viktor Shklovsky and the Critical Mass
By
James Norton
ARTICLE
A New Era for Scottish Screen
By
Christeen Winford
ARTICLE
Box of Illusions
By
Elizabeth Wood
ARTICLE
In the Shell of the Ear: Listening to the School of Sound 2007
By
John Bradburn
ARTICLE
The Memory of the World
By
Esther Johnson
REVIEW
Love Is the Devil
By
Nancy Harrison
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ARTICLE
Letter from Ouagadougou: On Fespaco’s Fringe
By
Graeme McElheran
ARTICLE
Vamp (vāmp) n. Something Rehashed, as a Book Based on Old Material
By
Rosy Rockets
INTERVIEW
An Infinite Amount of Choices: Wim Wenders and a Life Inside Cinema
By
Jason Wood
The Bad Sleep Well
ESSAY
24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde
By
Juliet Jacques
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