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ARTICLE
The Critic as Censor
By
Julian Petley
ESSAY
The Precarious Life of the Palestinian Image: Reflections in the Wake of Gaza
By
Nick Denes
ARTICLE
An Organisation of Dreams
By
Ken McMullen
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
INTERVIEW
The Dardenne Brothers
By
Robert Chilcott
ARTICLE
In Memoriam
By
Nick Bradshaw
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
Documentaries for the Big Screen
By
Alex Woode
ARTICLE
Mysterious Britain: Jane Arden, Jethro Tull and 1973
By
Sean Kaye-Smith
ESSAY
Unbearable Lightness of a Moment: Impressions from Oberhausen and Beyond
By
Tereza Stehlíková
ARTICLE
Waving, Drowning or Back Crawl?
By
Janet Harbord
ESSAY
The Opened Hand: Reflections on Artur Aristakisyan's Palms
By
Graeme Hobbs
SCRIPT
Script and Script Again
By
Malcolm Mowbray
ARTICLE
First World Film
By
Mark Cousins
REVIEW
Land of Promise
By
Dai Vaughan
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