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The New American Cinema and After
Open City Documentary Festival – The Art of Non-Fiction
Absent Forces: The Politics of the Eerie in English Rural Moving Image
Eraserhead
Relentless Melt No. 38: New Experimental Animation from Hong Kong
ARTICLE
Scenes from The New World of Love
By
Simon Hartog and John Ellis
ESSAY
The Double Morality of Cinema
By
Julio Garcia Espinosa
ARTICLE
Disconnected or Is Britain Ready for Europe?
By
Michael Chanan
ARTICLE
Future of the BFI: The BFI which Will Be 67 in the Year 2000
By
Michael Chanan and Julian Petley
ESSAY
The Precarious Life of the Palestinian Image: Reflections in the Wake of Gaza
By
Nick Denes
ARTICLE
There Are no Lions in the Scottish Highlands
By
John Riley
ARTICLE
London: Why Is It so Hard to Enjoy?
By
Mark Fisher
ARTICLE
Paulo Branco: Profile
By
John Mount
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
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