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ARTICLE
London: Why Is It so Hard to Enjoy?
By
Mark Fisher
ARTICLE
Phonography and the Drift
By
Owen Armstrong
ARTICLE
Vertigo Café
ESSAY
Kira Muratova’s Searing World
By
Elena Gorfinkel
ARTICLE
The Sins of the Father: Andrei Zvyagintsev in Conversation
By
James Norton
ESSAY
The Image and the Witness: Trauma, Memory and Visual Culture
By
Frances Guerin and Roger Hallas
ARTICLE
Paulo Branco: Profile
By
John Mount
ARTICLE
And this is Now: Reflection on Eight Months of the Lux Cinema
By
Helen de Witt
INTERVIEW
Silence. Repetition. Rhythm. Into Great Silence and the Cinema of Spirit
ESSAY
Divisions Upon a Ground
By
Dai Vaughan
ARTICLE
Luminous Days: Notes on the New German Cinema
By
Ekkehard Knörer
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
INTERVIEW
Science and its Signs
By
James Leahy
ESSAY
Entering the Desert: The Book of Film Socialisme
By
James S. Williams
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