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ESSAY
Terrence Malick’s Heideggerian Cinema
By
Marc Furstenau and Leslie MacAvoy
ARTICLE
Film as Subversive Art
By
Scott MacDonald
REVIEW
Dreams of a Nation: On Palestinian Cinema
By
Sheila Whitaker
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
Essay Film Festival: Drylongso
ARTICLE
Genealogies of Film's Ruination: The Cinemas of Los Angeles' Broadway
By
Stephen Barber
REVIEW
Future Cinema & Trafic 50
By
Chris Darke
ARTICLE
African Cinema: Addressee
By
Rod Stoneman
London Korean Film Festival
ARTICLE
The Very Model of a Funding Agency: Reflections on the London Film and Video Development Agency
By
Steve McIntyre
ARTICLE
Vertigo Café: 'Screen Griots' African Cinema in London
By
Michael Chanan
ESSAY
Personal Cinema: Józef Robakowski’s Cinematic Works
By
Patricia Grzonka
ARTICLE
Turning to Dust: The Gothic Cinema of Philip Ridley
By
James Rose
ESSAY
The Double Morality of Cinema
By
Julio Garcia Espinosa
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