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Eraserhead
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
REVIEW
Bill Viola: Reasons for Knocking at an Empty House: Writings 1973-1994
By
Nicky Hamlin
REVIEW
Paradoxes of Peace or the Presence of Infinity
By
Nicholas Mosley
REVIEW
Do Fish Have Dreams?
By
Almendra Maria Mcbride Perez
ARTICLE
Telling the Truth About Ireland
By
Ronan Bennett
INTERVIEW
Love Is the Devil
By
John Maybury and Ben Gibson
MANIFESTO
The Double {+} Anchor: Notes Towards a Common Cause
By
Jem Cohen
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
Marine Court Rendezvous: Sketches in Space and Time
By
Iain Sinclair
ARTICLE
Breer's Babes
By
Samantha Moore
ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
INTERVIEW
A Death Dream! Dizzying! Dizzying!
By
Michael Brooke
REVIEW
The Andrei Tarkovsky Companion
By
Gareth Evans
REVIEW
Future Cinema & Trafic 50
By
Chris Darke
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