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ARTICLE
Theory and Practice at the Crossroads
By
Clive Myer
DOCUMENT
Counterpoint: Three Movies, a Book and an Old Photograph
By
Don DeLillo
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ARTICLE
Letter from Ouagadougou: On Fespaco’s Fringe
By
Graeme McElheran
ARTICLE
A Recipe for Nothing
By
Klaus Fried
ARTICLE
Singapore Sings
By
Ben Slater
MANIFESTO
Two Thousand Words: A Manifesto for Prague
By
Ludvik Vaculik
ESSAY
Turn On, Tune In, Cop Out: The Commodification of Revolution
By
Penny Rimbaud
ESSAY
The Hour of the Furnaces: Crafting a Revolutionary Cinema
By
Mariano Mestman
ARTICLE
A Cinema of Challenge
By
Christophe Hochhäusler
REVIEW
Dreams of a Nation: On Palestinian Cinema
By
Sheila Whitaker
ARTICLE
King Lear
By
James Norton
INTERVIEW
State of Weightlessness
By
Michael Garrad
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
REVIEW
Bill Viola: Reasons for Knocking at an Empty House: Writings 1973-1994
By
Nicky Hamlin
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