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Robert Frost: A Lover's Quarrel with the World
ARTICLE
Nothing Is True. Everything Is Permissible.
By
John Bradburn
Revue
Take Two: Hiroshima Mon Amour / Amour
25 Fireman's Street
Take Two: Blue Velvet / Scorpio Rising
The Music Room
ESSAY
Terrence Malick’s Heideggerian Cinema
By
Marc Furstenau and Leslie MacAvoy
Dogville
Barry Lyndon
REVIEW
Film Art Phenomena
By
Catherine Elwes
Through the Olive Trees
Tale of Cinema
Beginnings and Journeys
REVIEW
Fault Lines, Changing States
By
Lucy Reynolds
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