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Festival of (In)appropriation
The Double Life of Véronique
Andrew Kötting: Earthworks
Drive my Car
The Passenger
Eraserhead
Flux at the Minema 1994 / 2024
Hallelujah the Hills
ARTICLE
Love, Music, Compromise: the Pop Promo
By
Rod Stoneman
ARTICLE
Future of the BFI: Grandeur and Misery of Film Culture
By
Geoffrey Nowell-Smith
ARTICLE
Hotel Diaries: John Smith Makes Room for Reflection
By
Ian Christie
ARTICLE
Hollywood and the Difficulties of Being English
By
Fiona Shaw
ARTICLE
All in the Script? Then Why Make the Movie!
By
James Leahy
ARTICLE
Great Briton
By
Dai Vaughan
ESSAY
The Opened Hand: Reflections on Artur Aristakisyan's Palms
By
Graeme Hobbs
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