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ARTICLE

Real Fiction – Blurring Lines Between Documentary and Fiction

By David Balfour

ARTICLE

I Like the FID and the FID Likes Me

By Celluloid Liberation Front

Strategies for Discovering Cinema: Helga Fanderl / Nicky Hamlyn

ESSAY

No Hope without the Possibility of a Wound

By Gareth Evans

Rome, Open City

ESSAY

Remote Lives?

By Peter Todd

ARTICLE

This Spring, Leaves May Be Banned‏

By Rosy Rockets

ESSAY

Artists’ Creative Responses to To Liv(e)

By Bo Choy, Eric Yip, Tim Tim Cheng, Wency Lam, Yan Wai Yin Winnie

ARTICLE

The Slade School and Cinema: Part Two

By Henry K. Miller

A Brighter Summer Day

ARTICLE

Screen Academy Scotland

By Pepe Petos, Lili Sandelin, Hermann Karlsson, Mattias Karlsson, Damian Wood, Paul Gray, Lin Anderson, Catriona Craig, Kelly Neal, Astrid Bussink, Joseph N Feltus and Neil Gillies

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Real Fiction – Blurring Lines Between Documentary and Fiction

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I Like the FID and the FID Likes Me

Strategies for Discovering Cinema: Helga Fanderl / Nicky Hamlyn

ESSAY

No Hope without the Possibility of a Wound

Rome, Open City

ESSAY

Remote Lives?

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This Spring, Leaves May Be Banned‏

ESSAY

Artists’ Creative Responses to To Liv(e)

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The Slade School and Cinema: Part Two

A Brighter Summer Day

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Screen Academy Scotland

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Lindsay Anderson Notes

The Sun

Mystery Train

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Transitions: Cinema and Video Art from Georgia