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By Holly Aylett

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

ARTICLE

Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller

By Davina Quinlivan

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan

REVIEW

So, Nu?: Questioning Jewish Autobiographical Documentary

By Sophie Mayer

ARTICLE

All in the Script? Then Why Make the Movie!

By James Leahy

ARTICLE

Rendered Invisible: the Silence of the Critics

By Ruth Lingford

ARTICLE

Getting it on

By Ben Slater

ARTICLE

The LUX Is Open

By Helen de Witt

ARTICLE

Pils Slip

By John Greyson

DOCUMENT

Counterpoint: Three Movies, a Book and an Old Photograph

By Don DeLillo

ARTICLE

The Films of Peter Whitehead

By Robert Chilcott

ARTICLE

Doomed L’Amour de la Mer

By Robert Chilcott

ARTICLE

Ann Course and Paul Clark Tell us What they Like and Why…

By Ann Course, Paul Clark

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Red Desert

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Coining the Right Phrase: Reflections on Last Autumn’s CBI/BFT Conference

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‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

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Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

REVIEW

So, Nu?: Questioning Jewish Autobiographical Documentary

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All in the Script? Then Why Make the Movie!

ARTICLE

Rendered Invisible: the Silence of the Critics

ARTICLE

Getting it on

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The LUX Is Open

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Pils Slip

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Counterpoint: Three Movies, a Book and an Old Photograph

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The Films of Peter Whitehead

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Doomed L’Amour de la Mer

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Ann Course and Paul Clark Tell us What they Like and Why…