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ARTICLE

Luminous Days: Notes on the New German Cinema

By Ekkehard Knörer

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

By Roland-François Lack

Indefinite Visions Part II

John Smith: Introspective (1972-2022)

Julius-Amédée Laou: Short, Sharp Shocks

REVIEW

Magnum Cinema

By James Leahy

REVIEW

The Future of the Image

By Chris Darke

ESSAY

Three Images of May: Cinema and the Uprising

By Chris Darke

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

By Duncan White

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

By Corin Depper

QUESTION AND ANSWER

The Patagonian Hare

By Libby Saxton

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ARTICLE

Luminous Days: Notes on the New German Cinema

ESSAY

A Photograph and a Camera: Two Objects in Film Socialisme

Indefinite Visions Part II

John Smith: Introspective (1972-2022)

Julius-Amédée Laou: Short, Sharp Shocks

REVIEW

Magnum Cinema

REVIEW

The Future of the Image

ESSAY

Three Images of May: Cinema and the Uprising

ESSAY

Scénario du Film Passion: Writing Video at the End of Cinema

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

QUESTION AND ANSWER

The Patagonian Hare

Shot – Countershot

Essential Cinema III

Au Contraire: Jean-Luc Godard

L'Amour fou introduced by David Thompson