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ESSAY
It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard
By
Robert Barry
Fingers
Take Two: Hiroshima Mon Amour / Amour
Faces
The Invisible Man
Sergei Parajanov: Reminiscence
ARTICLE
How Iran's 'filmfarsi' Remains the Biggest Secret in Cinema History
By
Ehsan Khoshbakht
Amour
The Olive Trees of Justice
La captive
ARTICLE
Fespaco: Nationalism or Pan-Africanism? A Takeover for our Times!
By
Abdul War and Med Hondo
ARTICLE
Dash this Weekly Reckoning Up!
By
Rosy Rockets
REVIEW
Apichatpong Weerasethakul
By
Rob Dennis
ARTICLE
Don't Try this at Home: Tarantino
By
Ian Penman
ARTICLE
A New Era for Scottish Screen
By
Christeen Winford
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