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ARTICLE
Godard's Sons: Why Are they all Bastards?
By
Laurence Remila
REVIEW
Discographies
By
a Fine Quartet
ARTICLE
Henri Storck – Documentarist, Surrealist, Anarchist
By
Julian Petley
ARTICLE
The Slade School and Cinema: Part Two
By
Henry K. Miller
INTERVIEW
Love Is the Devil
By
John Maybury and Ben Gibson
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
We Do the Real Thing
By
Christopher Roth
ESSAY
Turn On, Tune In, Cop Out: The Commodification of Revolution
By
Penny Rimbaud
ESSAY
For a Reconsideration of Soft and Hard
By
Jerry White
On the Road
Close-Up on Michael Haneke
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ARTICLE
Films that No-One Else Will See
By
Michael Eaton
INTERVIEW
For Cannes or Abidjan?
By
Holly Aylett
ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
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