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ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
INTERVIEW
Documentary Laid Bare: Tetsuaki Matsue
By
Maggie Lee
DOCUMENT
The Abingdon Film Unit
By
Jeremy Taylor
|
Michael Grigsby
ARTICLE
Older Women in Feature Films
By
Rina Rosselson
ARTICLE
Putting on the Red Shoes: A Tango with the Camera
By
Sophie Mayer
ARTICLE
Censorship and the BBFC: A Young Person's View of the UK's Censors
By
Annie Mae Rorke
ARTICLE
Born and Bred
By
Elzemieke de Tiege
ARTICLE
Doomed L’Amour de la Mer
By
Robert Chilcott
ARTICLE
Enter technology | Enter art | Enter perspective
By
Amanda Egbe
ARTICLE
What Lies on the Web REDUX
By
Ben Slater
ARTICLE
Reading the Modern: Narratives in Cinema and Literature
By
Dorota Ostrowska
ESSAY
On Devotional Cinema
By
Nathaniel Dorsky
REVIEW
Godard as God?
By
Emilie Bickerton
INTERVIEW
Look Out, It’s Real!: J.G. Ballard on Mondo Cinema and the 1960s
By
Mark Goodall
ARTICLE
Why Do You Make Films?: Film as a Bridge
By
Víctor Erice
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