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ARTICLE
How Iran's 'filmfarsi' Remains the Biggest Secret in Cinema History
By
Ehsan Khoshbakht
Amour
Kieślowski’s Three Colours
Amour
ARTICLE
Godard's Sons: Why Are they all Bastards?
By
Laurence Remila
ARTICLE
In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema
By
Chris Petit
ARTICLE
The Hours Is Not a Film
By
John Bradburn
ARTICLE
Alfredo Garcia and Other Peckinpah Tales
By
Lee Hill
ARTICLE
A New Era for Scottish Screen
By
Christeen Winford
ARTICLE
Gleaning the Future
By
Chris Dercon
ARTICLE
Celluloid Singapore
By
Ben Slater
ARTICLE
Sliding into Crisis
By
Guillermo de Carli
ARTICLE
Transatlantic Drift
By
Holly Aylett
ARTICLE
Britdoc 06
By
Hannah Patterson
ARTICLE
Which Garden?: Michael Wadleigh's Woodstock
By
Dave Saunders
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