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ARTICLE

Carla's Song: Day 28 of Shoot

By Paul Laverty

ARTICLE

Transitions: Cinema and Video Art from Georgia

By James Norton

ARTICLE

The Future of Public Service Broadcasting

By Don Redding

ARTICLE

Exploiting the Innocent Heroine

By Elzemieke de Tiege

ARTICLE

Jonah After the Year 2000: How to Live and Love, Then and Now

By Joanne Barkan

Vincent Gallo Stopped at Calais

Close-Up Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

Take Two: Karel Zeman

ARTICLE

A Quiet Evening at Home: Desert Strike

By David Fox

ARTICLE

A Way of Not Losing Heart: Independent Image-making in Occupied Iraq

By Maysoon Pachachi

ESSAY

On a Street of Crocodiles: Channel 4 in an Age of Vision

By Clare Kitson

REVIEW

Visionary Landscapes: The Films of Nina Danino

By Althea Greenan

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ARTICLE

Carla's Song: Day 28 of Shoot

ARTICLE

Transitions: Cinema and Video Art from Georgia

ARTICLE

The Future of Public Service Broadcasting

ARTICLE

Exploiting the Innocent Heroine

ARTICLE

Jonah After the Year 2000: How to Live and Love, Then and Now

Vincent Gallo Stopped at Calais

Close-Up Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

Take Two: Karel Zeman

ARTICLE

A Quiet Evening at Home: Desert Strike

ARTICLE

A Way of Not Losing Heart: Independent Image-making in Occupied Iraq

ESSAY

On a Street of Crocodiles: Channel 4 in an Age of Vision

REVIEW

Visionary Landscapes: The Films of Nina Danino

The Firemen’s Ball / Together

Close-Up Cinema Year 3

Close-Up on the Czechoslovak New Wave