Archives

ARTICLE

The White Horse, Seul Contre Tous and Notes on Meat as Metaphor

By Jane Giles

REVIEW

It Is Better to Travel Hopefully than to Arrive

By Rosy Rockets

ARTICLE

The Memory of the World

By Esther Johnson

ARTICLE

Love, Music, Compromise: the Pop Promo

By Rod Stoneman

ESSAY

Kira Muratova’s Searing World

By Elena Gorfinkel

ARTICLE

Last Thoughts; Birth of a Journal

By Serge Daney

ARTICLE

The Slade School and Cinema: Part Two

By Henry K. Miller

ARTICLE

Transitions: Cinema and Video Art from Georgia

By James Norton

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

By Corin Depper

INTERVIEW

After the Garden

By Julian Ross

A.K.

ARTICLE

On Earth as it is in the Heavens

By James Norton

ARTICLE

A Backward Glance at a Retrospective

By John Krish

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

Related Items

ARTICLE

The White Horse, Seul Contre Tous and Notes on Meat as Metaphor

REVIEW

It Is Better to Travel Hopefully than to Arrive

ARTICLE

The Memory of the World

ARTICLE

Love, Music, Compromise: the Pop Promo

ESSAY

Kira Muratova’s Searing World

ARTICLE

Last Thoughts; Birth of a Journal

ARTICLE

The Slade School and Cinema: Part Two

ARTICLE

Transitions: Cinema and Video Art from Georgia

ESSAY

“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling

INTERVIEW

After the Garden

A.K.

ARTICLE

On Earth as it is in the Heavens

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A Backward Glance at a Retrospective

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

Time in the Sun + Bezhin Meadow