Archives

QUESTION AND ANSWER

Pawel Pawlikowski Masterclass: Between Documentary and Drama

By Doc House

INTERVIEW

The More Desperate We Are, the More Hope There Is

By Robert Chilcott

ARTICLE

The Saragossa Manuscript and The Recording Angel Ensemble

By Owen Armstrong

ARTICLE

Letter from...Paris

By Eugène Green

ARTICLE

A Filmosophy of the Dardennes

By Daniel Frampton

REVIEW

Godard as God?

By Emilie Bickerton

ARTICLE

Whither the Avant-Garde: The ICA Biennial

By Chris Petit

ARTICLE

Future of the BFI: Moving Towards the Millennium... Visual Culture in the Digital Age

By Graham Murdoch

MANIFESTO

The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)

By the Celluloid Liberation Front

REVIEW

Paradoxes of Peace or the Presence of Infinity

By Nicholas Mosley

The Leopard

ESSAY

Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine

By Lucy Reynolds

ARTICLE

I Like the FID and the FID Likes Me

By Celluloid Liberation Front

INTERVIEW

Antonio Campos Interviewed

By Mark Stafford

Related Items

QUESTION AND ANSWER

Pawel Pawlikowski Masterclass: Between Documentary and Drama

INTERVIEW

The More Desperate We Are, the More Hope There Is

ARTICLE

The Saragossa Manuscript and The Recording Angel Ensemble

ARTICLE

Letter from...Paris

ARTICLE

A Filmosophy of the Dardennes

REVIEW

Godard as God?

ARTICLE

Whither the Avant-Garde: The ICA Biennial

ARTICLE

Future of the BFI: Moving Towards the Millennium... Visual Culture in the Digital Age

MANIFESTO

The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)

REVIEW

Paradoxes of Peace or the Presence of Infinity

The Leopard

ESSAY

Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine

ARTICLE

I Like the FID and the FID Likes Me

INTERVIEW

Antonio Campos Interviewed

Vivre sa Vie