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ARTICLE
Who's to Say What We Should and Shouldn't See?
By
Margaret Dickinson and Simon Reynell
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
The Switchboard Operator
By
Colin McArthur
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
ESSAY
Broken Trust of the Image
By
Dai Vaughan
ARTICLE
Writing Red Riding
By
Tony Grisoni
ARTICLE
Don't Try this at Home: Tarantino
By
Ian Penman
ARTICLE
Not Waving... Just Drowning! Vertigo, The Bastards and the Grandchildren of Marx & Coca-Cola
By
James Leahy
INTERVIEW
Let a Thousand Flowers Bloom
By
Holly Aylett
INTERVIEW
The Eyes Have It
By
SF Said
REVIEW
A. L. Rees's A History of Experimental Film and Video
By
Felicity Sparrow
OBITUARY
We do everything for this art, but this art isn’t everything
By
George Clark and Redmond Entwistle
ARTICLE
Things that Quicken the Heart
By
Catherine Lupton
ARTICLE
It Happened Here
By
Richard Armstrong
ARTICLE
How the Mummy Came out of its Tomb
By
Peter Lennon
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