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Close-Up on Andrei Tarkovsky
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
MANIFESTO
Kino Korrespondence
By
Ken McMullen
ARTICLE
The Hours Is Not a Film
By
John Bradburn
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
Alphaville Exists
By
Chris Darke
ARTICLE
Red Army Fictions
By
Kieron Corless
ESSAY
‘Eyewitness’ Documentary and the Fabrication of ‘Truth’
By
Phil Gunson
REVIEW
Geoffrey Jones: The Rhythm of Film
By
Dai Vaughan
ARTICLE
Long Live the Cinema: Policy for Specialist Films – An Exhibitor’s Wish List
By
Linda Pariser
INTERVIEW
Reverse Shot: Re-assembling the Invasion of Prague
By
David Balfour
ARTICLE
Getting Up Before the State: China and Change Since 1989
By
Poppy Sebag Montefiore
INTERVIEW
Song of Innocence and Experience
By
Jason Wood
Close-Up on Peter Watkins
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