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Deviant Traditions of Desire: Asian Cinema at the Intersection of Folklore and Transgressive Desire
The Liberated Film Club
ESSAY
Dissident Surrealism
By
Michael Eaton
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
The Sound of Godard
By
Michael Chanan
ESSAY
At Risk of Interment: WG Sebald in Terezin and Breendonk
By
Will Stone
ARTICLE
The Hours Is Not a Film
By
John Bradburn
ARTICLE
The Dance Macabre of Tony Manero
By
Lee Hill
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