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The Conformist
The 400 Blows
Dante Is not only Severe
Julius-Amédée Laou: Short, Sharp Shocks
Beau travail
Le samouraï
ARTICLE
Last Thoughts; Birth of a Journal
By
Serge Daney
ARTICLE
In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema
By
Chris Petit
ESSAY
Image, Meaning, History… & the Voice of God
By
James Leahy
ARTICLE
Visual Art and the Moving Image
By
James Swinson
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
A Year of Living Dangerously
By
James Norton
REVIEW
A. L. Rees's A History of Experimental Film and Video
By
Felicity Sparrow
ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
ARTICLE
Widescreen
By
Sarah Wood
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