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OBITUARY

When Faces Counted Most

By Noah Isenberg
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Visual Art and the Moving Image

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All my Eye and Aristotle: Editing European Films

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A Year of Living Dangerously

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INTERVIEW

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‘Eyewitness’ Documentary and the Fabrication of ‘Truth’

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Nothing is More Bourgeois than Being Afraid to Look Bourgeois

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Look Out, It’s Real!: J.G. Ballard on Mondo Cinema and the 1960s

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What We Want, What We Believe: The Black Panther Party

Take Two: Henri-Georges Clouzot

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