Archives

By Rod Stoneman

ARTICLE

Turning to Dust: The Gothic Cinema of Philip Ridley

By James Rose

ARTICLE

The Very Model of a Funding Agency: Reflections on the London Film and Video Development Agency

By Steve McIntyre

ARTICLE

Regeneration? Part II: The Lux Centre: Eastward Ho!

By Sarah Turner

INTERVIEW

Interview with Chris Marker

By Dolores Walfisch

ESSAY

In the Perceptible Field

By Catherine Elwes

INTERVIEW

God Exists in Cinema, and Nowhere Else

By John Bradburn

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan

ARTICLE

Long Live Lulu

By James DC

ARTICLE

Hollywood and the Difficulties of Being English

By Fiona Shaw

ARTICLE

Against the Poverty of the World: Viktor Shklovsky and the Critical Mass

By James Norton

ARTICLE

The Man from London

By John Bradburn

ARTICLE

The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress

By Daniel Edelstyn

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Stranger Than Paradise

Edge of Frame: Portals Programme 2

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Love, Music, Compromise: the Pop Promo

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Turning to Dust: The Gothic Cinema of Philip Ridley

ARTICLE

The Very Model of a Funding Agency: Reflections on the London Film and Video Development Agency

ARTICLE

Regeneration? Part II: The Lux Centre: Eastward Ho!

INTERVIEW

Interview with Chris Marker

ESSAY

In the Perceptible Field

INTERVIEW

God Exists in Cinema, and Nowhere Else

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

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Long Live Lulu

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Hollywood and the Difficulties of Being English

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Against the Poverty of the World: Viktor Shklovsky and the Critical Mass

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The Man from London

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The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress