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DOCUMENT

The Abingdon Film Unit

By Jeremy Taylor | Michael Grigsby

ARTICLE

Angles of Projection, Exhibition and Symposium

By Adam Kossoff

ARTICLE

Intimate Distance: On Moving Images in Live Performance

By Jack McNamara

ARTICLE

The Saragossa Manuscript and The Recording Angel Ensemble

By Owen Armstrong

ARTICLE

What Lies on the Web REDUX

By Ben Slater

ARTICLE

Just Do It

By James Merchant

ARTICLE

Jonah After the Year 2000: How to Live and Love, Then and Now

By Joanne Barkan

ESSAY

The Image and the Witness: Trauma, Memory and Visual Culture

By Frances Guerin and Roger Hallas

REVIEW

Strange and Familiar

By Steven Ball

POEM

Still Life Still

By Tereza Stehlíková

ARTICLE

Pécs: New Waves from the East

By Steven Yates

REVIEW

Genteel, Accessible, Revolutionary

By Roger Luckhurst

ESSAY

Flash (Energy Transformation in Modern Cinematography)

By Alexander Horwath

Related Items

DOCUMENT

The Abingdon Film Unit

ARTICLE

Angles of Projection, Exhibition and Symposium

ARTICLE

Intimate Distance: On Moving Images in Live Performance

ARTICLE

The Saragossa Manuscript and The Recording Angel Ensemble

ARTICLE

What Lies on the Web REDUX

ARTICLE

Just Do It

ARTICLE

Jonah After the Year 2000: How to Live and Love, Then and Now

ESSAY

The Image and the Witness: Trauma, Memory and Visual Culture

REVIEW

Strange and Familiar

POEM

Still Life Still

ARTICLE

Pécs: New Waves from the East

REVIEW

Genteel, Accessible, Revolutionary

ESSAY

Flash (Energy Transformation in Modern Cinematography)

An Evening in the Company of Jonas Mekas

The Phantom Carriage