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ARTICLE

Controlled Collisions

By Tony Grisoni

ARTICLE

Skinflicks

By Gareth Evans

REVIEW

Telling it Like it (Actually) Is

By Gabriel Carlyle

INTERVIEW

Save and Burn in Singapore

By Vinita Ramani

QUESTION AND ANSWER

Seeing in the Dark

By Robert Chilcott, Gareth Evans

ARTICLE

Ah! Sunflower: Allen Ginsberg Recalled, Rebranded, Released

By Iain Sinclair

ARTICLE

Talking Movies: Contemporary World Filmmakers

By Bernd Herzogenrath

ARTICLE

Unknown Pleasures

By Sean Kaye-Smith

INTERVIEW

Television On: Interactivity and the Future of the Image

By Nick Haeffner and Chris Lane

ARTICLE

Reading the Modern: Narratives in Cinema and Literature

By Dorota Ostrowska

ARTICLE

Vamp (vāmp) n. Something Rehashed, as a Book Based on Old Material

By Rosy Rockets

ARTICLE

End of The Road?: A Great Lost Film of 1968

By Lee Hill

EDITORIAL

Volume 2 - Issue 8 - Editorial

By Vertigo

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

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Save and Burn in Singapore

QUESTION AND ANSWER

Seeing in the Dark

ARTICLE

Ah! Sunflower: Allen Ginsberg Recalled, Rebranded, Released

ARTICLE

Talking Movies: Contemporary World Filmmakers

ARTICLE

Unknown Pleasures

INTERVIEW

Television On: Interactivity and the Future of the Image

ARTICLE

Reading the Modern: Narratives in Cinema and Literature

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Vamp (vāmp) n. Something Rehashed, as a Book Based on Old Material

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End of The Road?: A Great Lost Film of 1968

EDITORIAL

Volume 2 - Issue 8 - Editorial

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

An Evening in the Company of Jonas Mekas