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ARTICLE
Lights, Camera, Military Action…
By
Guy Westwell
INTERVIEW
Return of the Frontiersman: Rudy Wurlitzer in Conversation
By
Lee Hill
Close-Up on Akira Kurosawa
Wild at Heart
ARTICLE
Turning to Dust: The Gothic Cinema of Philip Ridley
By
James Rose
ARTICLE
Coining the Right Phrase: Reflections on Last Autumn’s CBI/BFT Conference
By
Holly Aylett
ARTICLE
Future of the BFI: Grandeur and Misery of Film Culture
By
Geoffrey Nowell-Smith
REVIEW
Bill Viola: Reasons for Knocking at an Empty House: Writings 1973-1994
By
Nicky Hamlin
ARTICLE
Gallivant I
By
Kimberley Cooper
ESSAY
In the Perceptible Field
By
Catherine Elwes
ARTICLE
The Dance Macabre of Tony Manero
By
Lee Hill
ARTICLE
Phonography and the Drift
By
Owen Armstrong
ARTICLE
Ordinary Young Men
By
Owen Armstrong
ARTICLE
Expanded Practice in Television: Defending the Right to Difference
By
William Raban
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
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