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ARTICLE
Dancing at the Crossroads
By
Sue Clayton
INTERVIEW
ICA Cinema: An Interview with Simon Field
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
REVIEW
The Disappearance of Finbar II
By
Sean Cubitt
ARTICLE
Vertigo Café: 'Screen Griots' African Cinema in London
By
Michael Chanan
ARTICLE
Vertigo Café: Friends of the BFI
By
Julian Petley
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
ARTICLE
Amytis Yearns for Ecbatana: Field Recordings from the Hanging Gardens of Babylon
By
Vaughan Pilikian
INTERVIEW
Observer/Observed: An Interview with Takahiko Iimura
By
Damien Sanville
ARTICLE
Anxious Visions
By
Keith Griffiths
ARTICLE
Ordinary Young Men
By
Owen Armstrong
ARTICLE
Dance of the Wind: Biography of a Colonised Heart
By
Rajan Khosa
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
INTERVIEW
Science and its Signs
By
James Leahy
ARTICLE
Factual Format or Documentary?
By
Edward Milner
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