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ARTICLE
Vertigo Café: Friends of the BFI
By
Julian Petley
ARTICLE
Liminal: A Question of Position
By
Chris Lane
ARTICLE
In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema
By
Chris Petit
INTERVIEW
Observer/Observed: An Interview with Takahiko Iimura
By
Damien Sanville
ARTICLE
The Dance Macabre of Tony Manero
By
Lee Hill
ARTICLE
Phonography and the Drift
By
Owen Armstrong
ARTICLE
Ordinary Young Men
By
Owen Armstrong
ARTICLE
‘Amateur’ Auteurs
By
Rob Dennis
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ARTICLE
The Ballerina Ballroom Cinema of Dreams
By
Mark Cousins
ARTICLE
All in the Script? Then Why Make the Movie!
By
James Leahy
ARTICLE
Alphaville Exists
By
Chris Darke
ARTICLE
Sundance in Scotland?
By
Jonathan Murray
ARTICLE
Putting it on the Map
By
Alex Usborne
ESSAY
The Opened Hand: Reflections on Artur Aristakisyan's Palms
By
Graeme Hobbs
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