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ARTICLE
The Commission: Third Instalment of a Short Story
By
Hugh Brody
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Future of the BFI: Moving Towards the Millennium... Visual Culture in the Digital Age
By
Graham Murdoch
ARTICLE
Vertigo Café: Illuminating Cinematography
By
Cathy Greenhalgh
ARTICLE
Joined-up Reading: The Problem of Subtitles
By
Jane Giles
ARTICLE
Duality of Light
By
Wendy Walker
REVIEW
Paradoxes of Peace or the Presence of Infinity
By
Nicholas Mosley
ARTICLE
I Like the FID and the FID Likes Me
By
Celluloid Liberation Front
ARTICLE
This Spring, Leaves May Be Banned
By
Rosy Rockets
ARTICLE
Ordinary Young Men
By
Owen Armstrong
ARTICLE
‘Amateur’ Auteurs
By
Rob Dennis
ESSAY
U.S. and Them: I’m Not There and American Surrealism
By
Jerry White
ARTICLE
Filming in Hot Sun: Kenya, Kibera and the Power of the Image
By
Piotr Cieplak
INTERVIEW
Close Up on a Field without Definition
By
David Curtis, Gary Thomas and William Raban
ARTICLE
Marine Court Rendezvous: Sketches in Space and Time
By
Iain Sinclair
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