Archives

By Hugh Brody

ARTICLE

Dancing at the Crossroads

By Sue Clayton

INTERVIEW

Interview with Kenith Trodd for Vertigo July 1996

By Vertigo

ARTICLE

Real Lives: Camcorder Cults

By Jon Dovey

ARTICLE

My Father’s Country

By Maryclare Foá

ARTICLE

I Like the FID and the FID Likes Me

By Celluloid Liberation Front

ARTICLE

Why the Documentary Cinema?

By Henri Storck

ARTICLE

Transitions: Cinema and Video Art from Georgia

By James Norton

ARTICLE

And this is Now: Reflection on Eight Months of the Lux Cinema

By Helen de Witt

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The Commission: First Instalment of a Short Story

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Dancing at the Crossroads

INTERVIEW

Interview with Kenith Trodd for Vertigo July 1996

ARTICLE

Real Lives: Camcorder Cults

ARTICLE

My Father’s Country

ARTICLE

I Like the FID and the FID Likes Me

ARTICLE

Why the Documentary Cinema?

ARTICLE

Transitions: Cinema and Video Art from Georgia

ARTICLE

And this is Now: Reflection on Eight Months of the Lux Cinema