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I Am Cuba
Close-Up on David Lynch
ARTICLE
Visual Music: The Animation of Norman McLaren
By
Nancy Harrison
Mulholland Drive
A Clockwork Orange
ARTICLE
Which Garden?: Michael Wadleigh's Woodstock
By
Dave Saunders
World on a Wire
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
ESSAY
At Risk of Interment: WG Sebald in Terezin and Breendonk
By
Will Stone
ARTICLE
Exploiting the Innocent Heroine
By
Elzemieke de Tiege
INTERVIEW
Observer/Observed: An Interview with Takahiko Iimura
By
Damien Sanville
ARTICLE
Sheffield Doc/Fest
By
Heather Croall
ARTICLE
Why the Documentary Cinema?
By
Henri Storck
ARTICLE
Final Residues of the Image: On Marcus Reichert
By
Stephen Barber
ESSAY
The Negation of Cinema: Some Brief Notes on Letterist Cinema 1950 - 1952
By
Louis Benassi
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