Archives

By Sukhdev Sandhu

ESSAY

Revolutionary Space: The Situationist Excursions of 1968

By David Pinder

ESSAY

Three Images of May: Cinema and the Uprising

By Chris Darke

MANIFESTO

The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)

By the Celluloid Liberation Front

DOCUMENT

''Hopscotch'': Production

By Ana Vianavb

INTERVIEW

Silence. Repetition. Rhythm. Into Great Silence and the Cinema of Spirit

ESSAY

At Risk of Interment: WG Sebald in Terezin and Breendonk

By Will Stone

REVIEW

Do Fish Have Dreams?

By Almendra Maria Mcbride Perez

INTERVIEW

Observer/Observed: An Interview with Takahiko Iimura

By Damien Sanville

ARTICLE

Luminous Days: Notes on the New German Cinema

By Ekkehard Knörer

ESSAY

Image, Meaning, History… & the Voice of God

By James Leahy

ARTICLE

1968: And it All Started in Vietnam

By Philip Jones Griffiths

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

By Ágnes Pethő

ARTICLE

Lindsay Anderson Notes

By John Anderton

Related Items

Seven Days… Seven Nights

ARTICLE

Only Connect

ESSAY

Revolutionary Space: The Situationist Excursions of 1968

ESSAY

Three Images of May: Cinema and the Uprising

MANIFESTO

The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)

DOCUMENT

''Hopscotch'': Production

INTERVIEW

Silence. Repetition. Rhythm. Into Great Silence and the Cinema of Spirit

ESSAY

At Risk of Interment: WG Sebald in Terezin and Breendonk

REVIEW

Do Fish Have Dreams?

INTERVIEW

Observer/Observed: An Interview with Takahiko Iimura

ARTICLE

Luminous Days: Notes on the New German Cinema

ESSAY

Image, Meaning, History… & the Voice of God

ARTICLE

1968: And it All Started in Vietnam

ESSAY

"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films

ARTICLE

Lindsay Anderson Notes