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By Roland-François Lack

INTERVIEW

At Least I Will Know My Face

By Lucy Reynolds

ARTICLE

I Like the FID and the FID Likes Me

By Celluloid Liberation Front

INTERVIEW

27 Years Without Images

By Julian Ross

ESSAY

Broken Trust of the Image

By Dai Vaughan

QUESTION AND ANSWER

Altman Took Me Gambling

By Robert Chilcott

ARTICLE

Why the Documentary Cinema?

By Henri Storck

Nippon Year Zero: Japanese Experimental Films from the 1960s-1970s

ARTICLE

Phonography and the Drift

By Owen Armstrong

A Taste of Honey

ARTICLE

The Gang that Can't Shoot Straight

By Brian Robinson and Lucinda Henderson

Fingers

ARTICLE

“The skin, the aging, the imperfection, the colour, the beauty”

By Sophie Mayer

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The Cambridge Document

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INTERVIEW

At Least I Will Know My Face

ARTICLE

I Like the FID and the FID Likes Me

INTERVIEW

27 Years Without Images

ESSAY

Broken Trust of the Image

QUESTION AND ANSWER

Altman Took Me Gambling

ARTICLE

Why the Documentary Cinema?

Nippon Year Zero: Japanese Experimental Films from the 1960s-1970s

ARTICLE

Phonography and the Drift

A Taste of Honey

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The Gang that Can't Shoot Straight

Fingers

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“The skin, the aging, the imperfection, the colour, the beauty”

I Live in Fear