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ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ESSAY
A Photograph and a Camera: Two Objects in Film Socialisme
By
Roland-François Lack
Open City Documentary Festival
ARTICLE
Future of the BFI: Grandeur and Misery of Film Culture
By
Geoffrey Nowell-Smith
ARTICLE
Short Film Symposium at Cork Film Festival
By
George Clark
Open City Documentary Festival
Open City Documentary Festival: The Art of Non-Fiction
ARTICLE
Documentary on the Move
By
Amy Hardie
ARTICLE
The Independent Film Parliament
By
Holly Aylett
Benny's Video
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
The Memo Book: The Films and Video of Matthias Muller
By
Stefanie Schulte Strathaus
November Film Festival
REVIEW
Geoffrey Jones: The Rhythm of Film
By
Dai Vaughan
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
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