Archives

By Gareth Evans

ARTICLE

Bad Cuts Are Sexy

By Robert Hargreaves

ARTICLE

Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat

By John Mepham

ARTICLE

The Commission: Third Instalment of a Short Story

By Hugh Brody

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

The Critic as Censor

By Julian Petley

INTERVIEW

Return of the Reforgotten

By Vertigo

ARTICLE

A Way of Not Losing Heart: Independent Image-making in Occupied Iraq

By Maysoon Pachachi

ARTICLE

I Like the FID and the FID Likes Me

By Celluloid Liberation Front

ARTICLE

This Spring, Leaves May Be Banned‏

By Rosy Rockets

INTERVIEW

What is Animation? Bob Godfrey in Conversation

By Martin Pickles

ARTICLE

Paulo Branco: Profile

By John Mount

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Bad Cuts Are Sexy

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Visionary Storytelling: Edgar Reitz’s Die Zweite Heimat

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The Commission: Third Instalment of a Short Story

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Why and for Whom Do We Film Today?

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A Way of Not Losing Heart: Independent Image-making in Occupied Iraq

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I Like the FID and the FID Likes Me

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This Spring, Leaves May Be Banned‏

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