Archives

INTERVIEW

After the Garden

By Julian Ross

ARTICLE

‘Amateur’ Auteurs

By Rob Dennis

An Evening in the Company of Jonas Mekas

ARTICLE

BFI Films: A Remit for Cultural Diversity

By Jane Giles

Close-Up on Apichatpong Weerasethakul

ARTICLE

Filming in Hot Sun: Kenya, Kibera and the Power of the Image

By Piotr Cieplak

Histoire(s) du Cinéma

MANIFESTO

The Double {+} Anchor: Notes Towards a Common Cause

By Jem Cohen

Klute

Close-Up on Robert Bresson

ARTICLE

Arab and African Cinema’s Uncertain Future

By Kamran Rastegar

REVIEW

The Headless Woman

By David Sin

Ivan the Terrible

ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

By Dai Vaughan

Related Items

INTERVIEW

After the Garden

ARTICLE

‘Amateur’ Auteurs

An Evening in the Company of Jonas Mekas

ARTICLE

BFI Films: A Remit for Cultural Diversity

Close-Up on Apichatpong Weerasethakul

ARTICLE

Filming in Hot Sun: Kenya, Kibera and the Power of the Image

Histoire(s) du Cinéma

MANIFESTO

The Double {+} Anchor: Notes Towards a Common Cause

Klute

Close-Up on Robert Bresson

ARTICLE

Arab and African Cinema’s Uncertain Future

REVIEW

The Headless Woman

Ivan the Terrible

ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

Jan Švankmajer's Late Short Films