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ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

By Dai Vaughan

ARTICLE

The State of Independence

By Andrea Corbett

INTERVIEW

Bend it Like Bollywood

By Nasreen Munni Kabir

ESSAY

The Opened Hand: Reflections on Artur Aristakisyan's Palms

By Graeme Hobbs

INTERVIEW

‘Distant’ Voice… Still, Life

By Metin Alsanjak

ESSAY

‘Eyewitness’ Documentary and the Fabrication of ‘Truth’

By Phil Gunson

DIARY

High Artic, High Definition

By SF Said

INTERVIEW

Swimming Against the Tide

By Jason Wood

POEM

Vision Field: Four Poems by Jeremy Reed

By Jeremy Reed

INTERVIEW

Look Out, It’s Real!: J.G. Ballard on Mondo Cinema and the 1960s

By Mark Goodall

INTERVIEW

Hard Currencies

By Robert Chilcott

ARTICLE

Culture Clash: On Editing and Korean Refugees

By Daniel Greenway

ARTICLE

Screen Academy Scotland

By Pepe Petos, Lili Sandelin, Hermann Karlsson, Mattias Karlsson, Damian Wood, Paul Gray, Lin Anderson, Catriona Craig, Kelly Neal, Astrid Bussink, Joseph N Feltus and Neil Gillies

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ARTICLE

Three Exercises in Symmetry: Marcel Carné and Filmic Formalities

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The State of Independence

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Bend it Like Bollywood

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The Opened Hand: Reflections on Artur Aristakisyan's Palms

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‘Distant’ Voice… Still, Life

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‘Eyewitness’ Documentary and the Fabrication of ‘Truth’

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Vision Field: Four Poems by Jeremy Reed

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Culture Clash: On Editing and Korean Refugees

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Screen Academy Scotland

ARTICLE

Godard in the Gallery: Story of a Ruination

QUESTION AND ANSWER

Five Broken Cameras