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ARTICLE
Real Lives: Video Nation
By
Mandy Rose
ARTICLE
Optimism at Point of No Return: Dan Walwin and the Implications of Landscape
By
Gareth Evans
ARTICLE
Think, Shoot, Distribute
By
Peter Fraser
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
Vertigo Café
INTERVIEW
Food for Ravens
By
Marc Karlin
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ARTICLE
Desire in Action: The Cube Microplex and the Future of Cinema
By
Graeme Hogg and Chris Williams
INTERVIEW
Darkness Visible
By
Jon Davies
INTERVIEW
Attention: Benedek Fliegauf, Milky Way and a Cinema of Meditation
By
John Bradburn
ARTICLE
Moving Memories: Variety
By
Ian Breakwell
ARTICLE
From Brit-Flicks to Shit-Flicks
By
Julien Petley
ARTICLE
What Lies on the Web
By
Ben Slater
INTERVIEW
Split Screen
By
Chris Darke
ESSAY
The Opened Hand: Reflections on Artur Aristakisyan's Palms
By
Graeme Hobbs
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