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Indefinite Visions Part I
Take Two: Le Quattro Volte / To the Wolf
ESSAY
The Image Speaks: Miloš Forman and Free Cinema
By
Peter Hames
Black Girl + Borom Sarret
Close-Up Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch
Close-Up on Orson Welles
Made at CalArts: Experimental Animation, 1974 - Present
Namme
Love in the Afternoon
John Torres: Years When I Was a Child Outside
Close-Up New Year's Eve: The Last Movie
Renewal: Artists’ Moving Image from New Zealand
Aperture: Workshop with Daniel Mattes & Daniel Hui
Refuge
Tren de sombras
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