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ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
REVIEW
To a Dog you're the World, to your Girlfriend you're never Sure
By
John Gorick
ARTICLE
Filmosophy: Re-imagining the Moving Image
By
Tereza Hadravova
MANIFESTO
The Cambridge Document
INTERVIEW
After the Garden
By
Julian Ross
Toil and Trouble: The Films of Ing K
Woyzeck
Silence Before Bach
After Life
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Joined-up Reading: The Problem of Subtitles
By
Jane Giles
ARTICLE
I never thought that one day I’d have to pin my hopes on Hitler
By
Elke De Wit
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
He Wanted to Make Movies the Way Everybody Else Does!
By
Steven Sprung
ARTICLE
Still/Moving: Desire Paths in Dryden Goodwin's Flight
By
Gareth Evans
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