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EDITORIAL

Volume 3 - Issue 4 - Editorial

By Ben Slater

REVIEW

Pasolini and Sade: A Maleficent Obsession

By Stephen Barber

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

By Go Hirasawa

ARTICLE

Sex, Violence and Politics – Japanese Style

By Jasper Sharp

ARTICLE

Dancing at the Crossroads

By Sue Clayton

INTERVIEW

27 Years Without Images

By Julian Ross

ARTICLE

The Fragile Relations of Ecology

By Janet Harbord

ARTICLE

Japanese Documentaries Take Tokyo

By Fujioka Asako

Close-Up on Masters of Polish Cinema

ESSAY

The Precarious Life of the Palestinian Image: Reflections in the Wake of Gaza

By Nick Denes

LETTER

The Floor

By Reuben Lane

ARTICLE

Screen Academy Scotland

By Pepe Petos, Lili Sandelin, Hermann Karlsson, Mattias Karlsson, Damian Wood, Paul Gray, Lin Anderson, Catriona Craig, Kelly Neal, Astrid Bussink, Joseph N Feltus and Neil Gillies

Related Items

EDITORIAL

Volume 3 - Issue 4 - Editorial

REVIEW

Pasolini and Sade: A Maleficent Obsession

ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

ARTICLE

Sex, Violence and Politics – Japanese Style

ARTICLE

Dancing at the Crossroads

INTERVIEW

27 Years Without Images

ARTICLE

The Fragile Relations of Ecology

ARTICLE

Japanese Documentaries Take Tokyo

Close-Up on Masters of Polish Cinema

ESSAY

The Precarious Life of the Palestinian Image: Reflections in the Wake of Gaza

LETTER

The Floor

ARTICLE

Screen Academy Scotland

ARTICLE

Cold Mountains, Red Armies

Histoire(s) du cinéma

ARTICLE

Stalking the Stalker