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ARTICLE
Cobra Mist: Emily Richardson and the Legacy of Orford Ness
By
Will Stone
REVIEW
August
By
Michael Chanan
INTERVIEW
A Death Dream! Dizzying! Dizzying!
By
Michael Brooke
QUESTION AND ANSWER
The Terminal Man
By
Jason Wood
REVIEW
Visionary Landscapes: The Films of Nina Danino
By
Althea Greenan
ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
ARTICLE
Wholly Attending: Notes on the Lessons of Black Sun
By
Gareth Evans
REVIEW
Subversion!
By
Nicola Woodham
ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
Pil and Galia Kollectiv: The Plague and Its Segmentations and Other Works
Close-Up on Werner Herzog
The Pursuit of Wholeness: Gregory Markopoulos
Never on Sunday
ARTICLE
Future of the BFI: The BFI which Will Be 67 in the Year 2000
By
Michael Chanan and Julian Petley
ARTICLE
Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place
By
Kathy Acker
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