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Close-Up Year 20
ARTICLE
Love, Music, Compromise: the Pop Promo
By
Rod Stoneman
ESSAY
At the Edge of the World
By
John Ellis
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
MANIFESTO
The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)
By
the Celluloid Liberation Front
ARTICLE
The History of Cinema and History in Cinema
By
Chris Petit
ARTICLE
When Signs Come Home to Roost: Dan Geva’s Description of a Memory
By
Catherine Lupton
ARTICLE
Documentaries for the Big Screen
By
Alex Woode
ARTICLE
(Not) Gone to Ground
By
Gareth Evans
INTERVIEW
The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema
By
James Norton
ARTICLE
The Wild East
By
Sian Glaessner
ARTICLE
Blindfolded Architecture
By
Alicia Guerrero Yeste
ARTICLE
UbuWeb: The YouTube of the Avant-Garde
By
James Norton
ARTICLE
A Story of a Forgotten Tail
By
Nadim Karam
ARTICLE
The Persistence of Vision
By
Peter Sainsbury
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