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ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ESSAY
Passenger: Reflections on the Unfinished Film of Andrzej Munk
By
Dai Vaughan
ARTICLE
The Hours Is Not a Film
By
John Bradburn
Tsuchimoto Noriaki: Film Is a Work of Living Beings
ARTICLE
The Independent Film Parliament
By
Holly Aylett
ARTICLE
Film in Cornwall
By
Antal Kovacs
INTERVIEW
The Film I Will Never Forget
By
Catherine Fowler
REVIEW
Tony Sinden: Everything Must Go – Installation, Video and Film
By
Lucy Reynolds
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
The Liberated Film Club IX with Laura Mulvey
Aperture: Asia & Pacific Film Festival
ARTICLE
Future of the BFI: Grandeur and Misery of Film Culture
By
Geoffrey Nowell-Smith
ARTICLE
Nokia-isation of Scottish Film Policy
By
Mark Cousins
Pirika on Film
ESSAY
A Photograph and a Camera: Two Objects in Film Socialisme
By
Roland-François Lack
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