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ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
ARTICLE
London: A Metaphysical Mirror
By
Adam Kossoff
REVIEW
Redacted: The Invisible Film on the ‘Invisible’ War
By
the Celluloid Liberation Front
ARTICLE
Kate Adams: Feeling and Knowing
By
Catherine Elwes
INTERVIEW
Documenting Nostalgia, Memory and Home
By
Nancy Harrison and Lee Hill
INTERVIEW
The Filmmaker that Rises to the Surface of Clarified Butter
By
George Clark and Mark A. Webber
ARTICLE
Dead Pan
By
Mike Sperlinger
ESSAY
Altered States
By
Lucy Reynolds
ARTICLE
Theory and Practice at the Crossroads
By
Clive Myer
QUESTION AND ANSWER
The Terminal Man
By
Jason Wood
DOCUMENT
Cannes Film Festival
By
Kieron Corless
ARTICLE
Long Live the Cinema: Policy for Specialist Films – An Exhibitor’s Wish List
By
Linda Pariser
ESSAY
Something in the Interval
By
Marina Vishmidt
ARTICLE
Earth: The Artistic Rendition of Reality
By
Owen Armstrong
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