Archives

ARTICLE

Why Do You Make Films?: Film as a Bridge

By Víctor Erice

ESSAY

Revolutionary Space: The Situationist Excursions of 1968

By David Pinder

ARTICLE

1968: The Year that Was, Was many Things

By Tony Elliott

INTERVIEW

Silence. Repetition. Rhythm. Into Great Silence and the Cinema of Spirit

ARTICLE

Cinema of Ideas

By Catharine des Forges

ARTICLE

Londres, Bombay: Stations on the Journey

By Patrick Keiller

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

By David Brancaleone

QUESTION AND ANSWER

Line Describing Your Mom

Lost & Found: The Films of Arthur Lipsett

Close-Up on Rainer Werner Fassbinder

The French Connection

Take Two: All that Heaven Allows / Ali: Fear Eats the Soul

Close-Up on Jonas Mekas

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

By Juliet Jacques

Related Items

ARTICLE

Why Do You Make Films?: Film as a Bridge

ESSAY

Revolutionary Space: The Situationist Excursions of 1968

ARTICLE

1968: The Year that Was, Was many Things

INTERVIEW

Silence. Repetition. Rhythm. Into Great Silence and the Cinema of Spirit

ARTICLE

Cinema of Ideas

ARTICLE

Londres, Bombay: Stations on the Journey

ESSAY

The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art

QUESTION AND ANSWER

Line Describing Your Mom

Lost & Found: The Films of Arthur Lipsett

Close-Up on Rainer Werner Fassbinder

The French Connection

Take Two: All that Heaven Allows / Ali: Fear Eats the Soul

Close-Up on Jonas Mekas

ESSAY

24 Frames a Second: Peter Tscherkassky, Gustav Deutsch and the Austrian Avant-Garde

The Visual Age: Three Films by Lee Chang-ho