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By Louise Hurtel

ARTICLE

Dancing at the Crossroads

By Sue Clayton

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

ARTICLE

‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

By Patricia Duncker

INTERVIEW

Return of the Reforgotten

By Vertigo

ARTICLE

Real Lives: Camcorder Cults

By Jon Dovey

ARTICLE

Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller

By Davina Quinlivan

INTERVIEW

Searching for the Heart of Memory

By Nancy Harrison

ARTICLE

Oggi, Oggi, Oggi

By Rosy Rockets

ARTICLE

Viva Viva: An Exhibition at P3 Gallery, London, December 2008

By Anne Robinson

ARTICLE

Arab and African Cinema’s Uncertain Future

By Kamran Rastegar

ARTICLE

The State of Things: Transition in South African Cinema

By Jeremy Nathan

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Dancing at the Crossroads

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Why and for Whom Do We Film Today?

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‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel

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Return of the Reforgotten

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Real Lives: Camcorder Cults

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Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller

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Searching for the Heart of Memory

ARTICLE

Oggi, Oggi, Oggi

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Viva Viva: An Exhibition at P3 Gallery, London, December 2008

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Arab and African Cinema’s Uncertain Future

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The State of Things: Transition in South African Cinema