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ARTICLE
What Was GATT About?
By
Michael Chanan
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Godard's Sons: Why Are they all Bastards?
By
Laurence Remila
ARTICLE
Video Power
By
Peter Sibley, James Hartzell, Robert Morris
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ARTICLE
Films that No-One Else Will See
By
Michael Eaton
ARTICLE
What Are We For?
By
Robert Chilcott
OBITUARY
We do everything for this art, but this art isn’t everything
By
George Clark and Redmond Entwistle
ARTICLE
Theory and Practice at the Crossroads
By
Clive Myer
REVIEW
Distant Voices, Still Lives and Journeys of Desire
By
Jason Wood
ARTICLE
Sono Sion: The Dark Poet
By
Maggie Lee
ESSAY
Three Images of May: Cinema and the Uprising
By
Chris Darke
EDITORIAL
A Double Bind
By
Damien Sanville
Refuge
ARTICLE
Faith in the Audiovisible: Into Great Silence and Devotional Cinema
By
Catherine Lupton
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